My work is rooted in the pureest form of photography. I work mainly with large-format and medium-format cameras and traditional film, without digital manipulation or artificial intelligence. The image begins as a physical negative and is realized through vision, patience, and technical mastery.
All prints are handmade by me in my own darkroom using historical photographic processes such as salt print, albumen print, gum print, silver gelatin print, and most notably platinum print. I do everything possible to achieve maximum longevity — from the careful selection of archival materials to the precise control of chemistry and paper.
My works are produced in small, limited editions to preserve their rarity and integrity. Each print is individually crafted by my hand from exposure to final print. Subtle variations inherent to manual processes make every print a unique art piece, carrying the physical presence of both material and maker.
Every piece is not only an image, but an authored artifact — a work shaped by time, discipline, and the direct touch of the artist.
Please note that the screen on which you are viewing these works cannot fully convey their depth, tonal richness, nobility, surface, and physical presence. The true beauty and tactile quality of the print can only be experienced in person.
Selective toning of a Silger Gelatine print